In March 1974, Lt. Onoda Hiroo emerged from the jungle on the Philippine island of Lubang, where he had been hiding for almost three decades after the end of the Pacific War. He immediately became a worldwide media sensation as an exemplar of samurai-like devotion to duty. Moved by his story and the tragedy of a life wasted for a fruitless war, jazz composer Toshiko Akiyoshi dedicated a composition to him. Entitled “Kogun” (lone soldier), the piece drew on thematic and narrative elements of medieval nō theater, situated within a jazz orchestral setting, to highlight this tragedy, thereby bringing to fruition her desire to create a seamless “blend” (yūgō) of Japanese music and the jazz idiom. This presentation also blends conventional cultural historical and musical analysis to argue for the landmark status of “Kogun” within jazz history.

E. Taylor Atkins is Distinguished Teaching Professor of History at Northern Illinois University. His major publications include Toshiko Akiyoshi-Lew Tabackin Big Band’s Kogun (2024); A History of Popular Culture in Japan, From the Seventeenth Century to the Present (second edition, 2022); Primitive Selves: Koreana in the Japanese Colonial Gaze, 1910-1945 (2010); Jazz Planet (editor, 2003); and Blue Nippon: Authenticating Jazz in Japan (2001), winner of the Association for Asian Studies’ John Whitney Hall Prize. He also plays bass for the Jazz in Progress Big Band and the Wild Blue Ukulele Orchestra and produces and hosts House of Funk on Hot Rocks Radio.