The underwater world, the forest with the Tree of Violence growing in its centre, revived monuments, bouquets of generations—these and other symbols of the post-Soviet space appear in Victoria Lomasko’s monumental works. Lomasko became internationally recognized as a graphic journalist telling stories about socially vulnerable groups and protests. Gradually, images from reality began to transform into poetic symbols and to change scale: from sketchbook pages to multi-meter murals and panels.

The pandemic, participation in the Belarusian revolution, the war in Ukraine, and emigration made this transformation irreversible—Lomasko believes that in times of historical change, artists must speak not about particular issues, as journalists do, but about a global process, as a visionary. Studying reality with a pencil in hand, participating in historical events, and transforming the knowledge gathered into symbols of one's time—this is a process many 20th-century artists used. Through their works and her own, Lomasko will show the logic of the changing artist’s role.